Dyes and dyeing

Title: Dyes and dyeing
Author: Charles Ernest Pellew
CONTENTS
Chapter I—INTRODUCTION
Dyes of the Ancients—Dyes of Our Ancestors—Animal, Vegetable and Mineral Dyes—Outfit for Practical Dyeing.
Chapter II—MODERN DYESTUFFS
Discovery of the Aniline or Coal-Tar Colors—Their Properties and Uses—How Obtained—How Named—Classification of Coal-Tar Colors for Craftsmen.
Chapter III—THE DIRECT COTTON OR SALT COLORS
Discovery, Properties and Uses of the Salt Colors; with Lists of Selected Dyestuffs, and Dying Directions for Cotton and Linen—Fastness to Light and Washing—After-treatment.
Chapter IV—THEORY AND PRACTICE OF COLOR DYEING
Even and Shaded Dyeing with the Primary Colors—Experiments with Secondary Colors—Matching Shades.
Chapter V—THE SULPHUR COLORS
Discovery—Properties and Uses of the Sulphur Colors—List of Selected Dyestuffs, and Dyeing Directions for Cotton and Linen.
Chapter VI—THE INDIGO OR VAT COLORS
Natural and Synthetic Indigo—Properties and Application—Vat Dyeing, Old and Modern—Dyeing Directions—The Modern Vat Colors—Their Properties and Uses—Selected Dyestuffs—Fastness to Light and Washing—Dyeing Directions for Cotton, Linen and Silk.
Chapter VII—THE BASIC COLORS
History, Properties, and Application to Cotton, Wool, Silk, etc.—Disadvantages—Not Fast to Light—Dyeing Directions for Straw, Raffia, etc.
Chapter VIII—THE ACID COLORS
History, Properties, Uses, and List of Selected Dyestuffs—Dyeing Directions for Wool.
Chapter IX—DYEING FEATHERS
The Dye-bath—The Dyeing Method—The Finishing Process—Dry and Wet Starching—Dyeing in the Starch—Black Dyeing of Feathers—Painting Feathers.
Chapter X—LEATHER AND LEATHER DYEING
History—Preparation of Leather—Oil, Mineral and Bark Tanning—Dyeing, Staining and Finishing Leather.
Chapter XI—SILK I
History, Origin and Varieties of Silk—Preparing Silk for Dyeing—Piece Dyeing—Skein Dyeing—Dyeing Wild Silks.
Chapter XII—SILK II
Black Dyeing of Silk—Coal-Tar Colors—Logwood—Weighting of Silk—Properties and Tests for Weighted Silk—Dyeing Silk with Colors Fast to Washing.
Chapter XIII—IMITATION AND ARTIFICIAL SILK
History, Preparation and Properties of Mercerized Cotton—History, Preparation and Properties of Artificial Silk—Precautions to be Taken in Dyeing and Finishing.
Chapter XIV—TIED AND DYED WORK
As Used in South America, India, Philippines and U.S.—Variations in Tying Process—How Dyed—Tied and Discharged Work.
Chapter XV—STENCILS AND STENCILLING
Japanese Practice—U.S. Practice—Knives, Brushes, Paper, etc.—Colors for Leather, Silk, and Cotton—Stencilling with Aniline Black Paste.
Chapter XVI—RESIST AND DISCHARGE STENCILLING
Japanese Practice—Resist Paste and the Sulphur Colors—Discharge Stencilling with Bleaching Powder and Hydrosulphite.
Chapter XVII—BATIK OR WAX RESIST
Javanese Practice—Modern Practice and Apparatus—Dyeing of Batiked Goods—Use of Batik Process on Cotton, Linen, Silk, Leather, Wood, Bone, etc.
Chapter XVIII—THE INFLUENCE OF THE WAR UPON THE DYESTUFF INDUSTRY
Rise of the German Dyestuff Monopoly—Ruin of the English Dyestuff Industry—Dyestuff Industry in the United States—Changed Conditions Due to the War—Lists of Best Dyestuffs.
THE ILLUSTRATIONS
PLATES IN COLOR
PLATE
I Indigo dyed batik from Madras Frontispiece
FACING PAGE
II Japanese towelling, showing impression of fresh damp leaves
III Same towelling after immersion in iron spring
IV (a) Example of tied and dyed work
(b) Example of tied and discharged work }
V Japanese towelling stencilled in resist and dyed by immersion in iron spring
ILLUSTRATIONS IN HALF-TONE
FIG.
1 Shellfish used by the ancients for Tyrian purple
Sir W. H. Perkin
2 Tied and dyed headdress from an Inca tomb in Peru
3 Shikar chundri, from Rajputana, with knots still untied
4 Same chundri untied and shaken out
5 Bagobo headdress from the Island of Mindanao
6 Sample of tied and dyed work, “tied on itself”
7 Sample of tied and dyed work, “tied in bands”
8 Tied and dyed work—Folding the cloth
9 Starting to tie
10 Centre portion tied
11 Centre and corners tied
12 Dyed, untied and shaken out
13 Japanese stencil knife
14 Japanese stencil brushes
15 Japanese stencil, showing holes punched by hand tool
16 Japanese stencil, showing use of stops
17 Japanese stencil, showing use of sewing instead of stops
18 Japanese stencils, showing use of both stops and net
19 Large and handsome Japanese stencil, showing use of net
20 “Teapot” model of tjanting
21 Walther glass tjanting
22 “Wax pencil” model of tjanting
23 Javanese tjantings
24 American modification of Javanese tjanting
DIAGRAMS IN THE LETTERPRESS
Primary Colors
Mixed Colors

外部リンク

Dyes and dyeing

タグ

一覧： gutenberg japan

カウンター

ページ全体： 5
今日： 4
昨日： 1